Before you read, be sure to click on the post title above to get the full effect.
I Can Has Cheezburger? sometimes hits the proverbial nail right on the head.
While on
my trip to Nashville, I made a special trip out to the Grand Ole Opry—I didn't think any trip to Music City, especially not one being paid for by grant money, should leave that out. Sadly, the
hallowed old Ryman Auditorium hasn't been the Opry's home since 1973, but I'd already been there to see
John Prine in concert a few years ago and knew of its beauty and history.
I wasn't even sure I'd be able to score Opry tickets on such short notice, having never tried to get tickets for it before, so I rolled the dice and went to their website. What luck! On the very night I wanted to go, they'd just added a late (9:30pm) show, due to high demand—Carrie Underwood would be there, so the first show had sold out very quickly. I snapped up my $60 nosebleed seat, winced at the price, and began looking forward to another new country music experience.
A little background: five years ago, I canceled my cable subscription. The Happy Kitten Cottage has stayed television-free since then, which has put me pretty far behind the curve when it comes to the latest TV shows. Mom ends up telling me what's new on TV, or I hear about it from my students and then catch clips on YouTube. Overall, it's not a bad way to live. I save $80 a month and read an incredible number of books, newsletters, and articles. And I get a lot more writing done (blog and otherwise) without the temptation of TV around.
So when Carrie
Underwear Underwood made it big thanks to
American Idol, I was clueless. A country music singer won
AI? Umm, great! Yeah! I hadn't been watching the show to catch any of the drama behind her win, but so many people were so proud that a little ol' Oklahoma gal (singing
country music, no less!) had won that I really couldn't be a smart-ass about it. I heard "Before He Cheats" on country radio and thought it was all right; I saw the video on YouTube and thought,
Pretty well done; this is one more music video for my students' essays in Comp I.
Otherwise, though, I just haven't gotten the whole mania around Carrie Underwood. Okay, so she's a hometown gal done good; great, that's fantastic. She's from
the town Merle Haggard made famous in song, so that's a ticket to country music stardom in itself. Her voice is okay, and she's not really glamourous—she reminds me a lot of Britney Spears in that she has pretty average girl-next-door features, but looks
fantastic once a team of professional makeup artists gets hold of her. (Wouldn't we all?) Her voice is pretty good, though she's no Loretta or Dolly or Reba. But hell, country fans love her, and that is
just fine.
However, I had no earthly idea how much people love Carrie Underwood until I got to Nashville.
I. had. no. IDEA.
While I walked around the
Country Music Hall of Fame and Museum in wonder, I saw a family wearing Carrie Underwood concert t-shirts, everyone from the toddler to the teenage daughter to the early-50s dad.
Hmm, bet these folks have seen her on tour lately, I thought, and remembered that she'd been on tour lately. I let my attention wander back to the exhibit. As I walked to the next display, though, I saw more Underwood t-shirts. And they were
not on family members; these were just random people walking through the Museum. And
lots of them. Mostly women, ages 10 to 60.
Hmmm, I thought.
She must have a pretty wide appeal.
So I got to the Opry later that evening, anxious for the show to begin. Thousands of fans were milling about in the vicinity that is/was Opryland, listening to music, drinking cold beer, and people-watching. The evening was warm and pleasant, and a welcome change from the day's high of 95 with 65% humidity.
The Opry's "new home" would make even the roughest, toughest, take-no-shit architect cry like a little girl. I'm sure that in 1974, the ugly concrete behemoth was stylish and new, a welcome change from the fire-trap that was the Ryman, but today it screams "1970s!" right down to the light fixtures. Of course, it's country-fied on the inside, with thick oak stairs, doors, and paneling out the wazoo.
Once the show began, though, I forgot my architectural torment. Never have I seen a crowd come so alive at curtain! And I got goosebumps thinking about how so many people before me had come to see this show, and be a part of
the WSM broadcast, since 1925.
The show began promptly at 9:30pm, and the crowd was
very enthusiastic despite the knowledge they'd be getting back to their hotel rooms around midnight. The first singer out was
Jeannie Seely, and she was great. After the first short commercial break, next up was
Luke Bryan, and he was also great. Then there was a longer commercial break, and Opry stagehands began walking around the stage, moving instruments and microphones, getting ready for
Montgomery Gentry to take the stage. Those guys were fantastic, and the evening was only half-over!
Bill Anderson was next, followed by a young lady from West Virginia (and I'm embarrassed to say I can't remember her name), and then Jeannie Seely came back out to duet with Anderson.
But I noticed what I thought was the height of rudeness in between each act: the Carrie Care Bears started up with the chant "Car-RIE! Car-RIE! Car-RIE!" no matter who was about to walk onstage, or who had just walked off. "Keep your britches on," I said under my breath, "she's comin' out eventually." Carrie
Underwear Underwood had been scheduled as the very last act of the evening—geez, it said so on the program, right there in big bold letters—and I thought the least the Care Bears could do was applaud politely for each act preceding her. But, no. It kept up all night long.
Well, I thought,
maybe tonight's fans are taking their first trip to a concert. Or their very first Opry show, and they don't know this is being broadcast live. Or that they're being really rude.
Finally, it was 11:15pm, only 15 minutes until show's end, and I figured Carrie would be out any time now for her own set. And sure enough,
Eddie Stubbs launched into his dramatic intro, the lights dimmed, fireworks and dry-ice smoke flew fromt he stage—
Wait a minute! Pyro and smoke?!? This isn't very Opry! I thought. But I hadn't seen nuthin' yet.
Miss Underwear herself finally came onstage...in a tight-fitting, very glamourous, yet so-wrong-for-her-figure gold and black sequined dress that ended about halfway up her thighs. (I'm sure the young men sitting in the first three rows were delighted.) I felt really fuddy-duddy and old-fashioned for being taken aback by her outfit; this was something that might've been great to wear to the CMA Awards...but to the Opry?
Well, Lord knows
I've made bad fashion choices before. But bless her heart, she looked like a gold-and-black-sequined pumpkin balancing on two shish-kebab skewers in that thing. Her awkward gait, which I'd seen before in video clips on YouTube, kind of like a cross between a person on stilts and a drunk chicken, wasn't being helped by the five-inch stiletto heels (similar to
these) she was wearing.
And then
WHOOOOOSSSSSSHHHHH! the crowd RUSHED the stage! Flashbulbs popped! The crowd got louder than they'd been all evening—and they'd
started out loud, too! A thousand-plus mostly female voices filled the Opry to the rafters as Carrie launched into her first number.
I applauded and cheered, like everyone else. She sure had some pipes! But the bad thing was that those pipes seemed to be
all she had. She couldn't differentiate one syllable or note from the next, it seemed; her enunciation and ability to slide between notes was pretty poor. She was loud, almost too loud—every belt strained the speakers to the point where I was expecting a loud POP! and then smoke from behind the fabric. Good thing the crowd knew the lyrics to the song, as I wouldn't have been able to ascertain them from just Carrie's singing. The next song went the same way.
Is this the same woman who sings "Before He Cheats?" I wondered.
Because it sure sounded better on my radio. I came away from Tuesday Night Opry very, very happy that I'd seen it, very eager to go back...but underwhelmed with Underwood. To me, it was just more hype for a so-so singer from a so-so talent show.
The next afternoon, I was in the Country Music Hall of Fame gift shop, trying to figure out what to get
my sister and her husband for souvenirs. I thought I'd found something for Pixie, but didn't want to leave out Guy. In the middle of the book section of the shop, I called her at work. We chatted for a few minutes, and she gave me some ideas of what she and Guy would appreciate. (I wanted it to be something they'd actually use, not put in a closet to collect dust). "Didn't you go to the Grand Ole Opry last night?" she asked. "How was it?"
"It was great!" I told her. "The crowd was so excited, and it was a real treat to be there, to see such a tradition going on. But, I hate to say it—"
"Uh-oh..."
"Well...Carrie Underwood just is NOT that talented," I told Pixie. "I mean, I really do hate to admit that, but she really didn't impress me last night."
"Seriously? What the hell?"
"Well, she couldn't enunciate words too well," I began, "and the most amazing thing about her voice is that it's
loud. She just about blew out the Opry speaker system, and I'm
not kidding when I say that. But...I'm sorry, but she is NOT that talented. I guess you can do a helluva lot to a singer's voice with a 97-track recording studio, a bunch of digital effects, and six months to record a dozen songs."
I happened to look up. Staring dead at me were four middle-aged women, each wearing a Carrie Underwood t-shirt, and each outweighing me by about 50 pounds. Their faces were turning red ever so quickly.
I turned around and headed out the door into the atrium—whew, I lost the women pretty quickly. "Sorry," I told Pixie. "Had to get outta there."
"What happened?"
"You know when I said that stuff about Carrie Underwood? Man, I looked up, and here were these four
hefty women, looking like they were about to whip me for talkin' about their girl."
So that's how I almost got my ass kicked in the Hall of Fame gift shop. Ahh, the sacrifices I make in the name of country music scholarship.
Labels: Music, Teaching, Travel